‘Human Vapor’ Review: Yeon Sang Ho Delivers His Most Thrilling Sci-Fi Yet
South Korean director Yeon Sang Ho has always been one to embrace the extraordinary. His films, like “Train to Busan” (2016) and “Peninsula” (2020) and series such as “Hellbound” and its sequel, as well as the latest “Colony,” have had distinctive visions that have been brought to life in the best way possible. “Human Vapor” takes it one step further, making it possibly the smartest and most true-to-itself release of the year in the science fiction space.
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Beginning with a bang, quite literally, a man bursts into nothing with a blast livestreamed on a news channel that’s caused by the Human Vapor. What follows is the discovery of the titular character, an unruly, mysterious creature who threatens to take down a dedicated group of people who once ran the White Center, a non-profit organization that reveals itself to be much more. The reporter interviewing, Kyoko Kono (Yū Aoi) begins an investigation on her own, while her ex-boyfriend, detective Kenji Okamoto (Shun Oguri), digs into his whereabouts.
Over eight episodes, the series keeps viewers hooked. A lot of the credit goes to the actors who play their roles as a morally corrupt bunch with conviction, but it is Yeon Sang Ho’s writing that sets it apart from the rest. While the show is based on the 1960 tokusatsu film “The Human Vapor” by Ishirō Honda and Takeshi Kimura, Yeon Sang Ho flips the concept on its head, turning it into a lesson for the audience. One that warns against experimenting on other species or using them as ‘fuel’.
“Human Vapor” showcases bonds stronger than blood ties that endure right to the end. It also reiterates that actions have consequences, while allowing its characters to repent and tie each loose end. But it doesn’t take it easy on the villains, each of whom meets a brutal end.
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The series brings Japan’s politics and law enforcement into the spotlight, with a dark theme running throughout, one that shows the disastrous results of disregarding human significance and places responsibility on those with the power to bring about change. It offers a glimpse of how new-age media, such as social media, can be both a bane and a boon to mankind.
"Human Vapor" cuts deep, leaving viewers with uncomfortable questions about the authenticity of the regulations they are expected to accept without question. It points out that the greater good does not justify undermining the people it promises to protect. Every plot twist further emphasizes this belief.
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