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Kajal Aggarwal On Working In ‘Ramayana’: ‘It’s A Technically Superior Production’ (EXCLUSIVE)

Kajal Aggarwal On Working In ‘Ramayana’: ‘It’s A Technically Superior Production’ (EXCLUSIVE)

Kajal Aggarwal plays Ravan’s wife Mandodari in “Ramayana,” due Diwali 2026. She shares the experience of working on the film, compares working in Hindi as well as South films and how having a supportive partner has helped her. 

By Nayare Ali

News

Nithya Menen On Objectification Of Women In Films: ‘It Is Not Limited To South Cinema Alone’ (EXCLUSIVE)

Nithya Menen blames hyper-commercialization for the sexualization of female characters and says performers must be willing to set boundaries.

Features

From ‘Off Campus’ to ‘The Odyssey’: Why Everyone Is Doing Book-To-Screen Adaptations Right Now

Across theatricals and streaming, book adaptations are having a moment, with studios determined to tap into existing fan bases already invested in the stories.

Interview

Kunal Kapoor: ‘Indian Cinema Can Break Through in a Big Way Across the World’ (EXCLUSIVE)

Kunal Kapoor talks about his Telugu debut with “Vishwambhara”, Kannada debut with “Lambodhara 2.0” and why A-listers need to do more films.

Features

From Kajol And Raveena Tandon To Kate Hudson and Cate Blanchett: The Yellow Dress And Its Ever-Changing Meaning On Screen

Whether it’s a realisation of love featuring Kate Hudson’s stunning yellow gown in “How To Lose A Guy in 10 Days”, a nod to the blossoming feelings Juhi Chawla’s Seema, in her yellow dress, has for Shah Rukh Khan’s Rahul in “Yes Boss” or a show of defiance and strength by Cate Blanchett’s Queen Elizabeth, in her regal yellow gown, against the Spaniards in “Elizabeth: The Golden Age”, the yellow dress has always been there for a pivotal moment.

Features

From ‘Obsession’ To ‘Backrooms’, Horror Films Today Underline The Fears And Vices Of Gen Z

Horror films today don’t just want to spook. There’s an intent to be more metaphorical through writing, set pieces, cinematography and score.

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