Sep 07, 2026 4:51pm IST
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‘Widow’s Bay,’ ‘DTF: St. Louis’ and ‘Spider-Noir’ — Despite Its Cancellation — Dominate Creative Arts Emmys Night 2 Winners (FULL LIST)
Apple TV’s “Widow’s Bay” led Night 2 of the 78th Emmys with eight Emmy wins— putting it firmly in the frontrunners position among comedy contenders heading into the Primetime ceremony on September 14.
“Widow’s Bay” was one of several big wins for Apple TV, which wound up scoring 18 Emmys on Night 2, more than any other outlet. Other big hauls for the streamer included “Pluribus” with four wins, as well as three apiece for “Margo’s Got Money Troubles” and “Palm Royale.”
Among the “Widow’s Bay” victories: Betty Gilpin landed the guest actress in a comedy series Emmy. The show also picked up casting for a comedy series, music supervision, cinematography for a series (half hour), sound mixing for a comedy or drama series (half hour) and animation, sound editing for a comedy or drama series (half hour) and animation, music composition for a series (original dramatic score) and production design for a narrative program (half hour).
With the second most wins for the night, HBO Max’s “DTF St. Louis” won six total on Sunday. The program landed both supporting acting categories for limited/anthology series (David Harbour and Linda Cardellini) while Steve Conrad won double Emmys for both directing and writing for a limited/anthology series or movie.
This repped the first Emmy wins for both Harbour and Cardellini. During his speech on stage, Harbour said he was really moved by the recognition: “I can’t believe that you’ve embraced our show so much this beautiful, vulnerable, weird show that I love so much.” Cardellini thanked her “DTF family,” including her co-stars Jason Bateman, Harbour and Joy Sunday. She also addressed Steve Conrad: “Thank you for your beautiful heart and your beautiful mind. Thank you for this part and giving me this chance.”
Meanwhile, another big winner for the night was a bit of an unexpected surprise. Prime Video’s “Spider-Noir” took home five Emmys just days after learning that the show had been canceled and wouldn’t return for a second season. Despite that unfortunate news, the series won for stunt performance, sound editing for a comedy or drama series (one hour), title design, special visual effects in a single episode and cinematography for a series (one hour).
Speaking about the cancellation of the show while having a triumphant moment at the Emmys, supervising stunt coordinator Freddy Bouciegues said, “I’m excited because we got to do a cool show. We got to do some big action. We got to do everything we wanted. Our showrunners let us let the stunt team. We came to the table with ideas. They said, ‘Yes, run with it,’ and we got to do everything we wanted.” Added stunt coordinator Hugh Aodh O’Brien: “I’m happy we got the win, and that’s, I guess the icing on the cake.”
Perhaps the most emotional moment of the evening came when the late Rob Reiner won the comedy guest actor Emmy, posthumously, for his role on “The Bear.” The audience inside the Peacock Theatre gave Reiner’s win a lengthy standing ovation.
“Paradise” star Shailene Woodley won for guest actress in a drama series. Speaking about her win, Woodley told members of the press, “I’m a fan of the show and I’m a small piece of it and I feel very excited to be on board their bigger mission and to have my little slice of the pie and contribute what I was able to contribute.” She added, “I think that the show is so dynamic in its range, and the fact that it’s a sci-fi show that brings so much humanity and art to the genre is really unparalleled.”
Ernest Harden Jr. won drama guest actor for ‘The Pitt,’ and shared what it meant for him — and also dedicated his win to Bette Davis. “I’ve been in the business since 1974,” he said. “That’s the first time I ever spoke in a film. It was a movie called ‘Three Days of the Condor’ with Robert Redford and Faye Dunaway. From then I’ve just been doing my thing, trying to work where I could. I got some beautiful breaks. I ended up going to L.A. from New York to finally get a great role on ‘The Jeffersons,’ and I did it for three seasons. And I got a chance to star opposite Bette Davis, which is a feather in my cap.”
Julie Andrews won her fourth Emmy, landing the award in the character voice-over performance category. This was her second win in the category. The first time around, Andrews made history as the oldest woman ever to win at age 89. At 90, she extended her own record at the ceremony.
Comedy Central’s “South Park” won the animated program Emmy for the first time since 2013, thanks to its blockbuster episode “Sermon On The ‘Mount.” And for outstanding movie, Netflix’s Sally Field starrer “Remarkably Bright Creatures” was victorious.
Also on Sunday, the Television Academy handed out its first-ever “Legacy Award,” given to “I Love Lucy” — the series that set the blueprint for sitcoms and created the template for TV syndication.
As announced in January, the new Legacy Award was created to recognize television programs “that have made a profound and lasting impact on audiences and remain relevant to society, culture and the industry.” The org’s Special Awards committee (formerly known as the Governors Award committee) selects candidates for the Legacy Award annually, and then the Board of Governors votes on the entries.
“Lucy’s electric energy and elastic physicality didn’t just influence me, it became a part of me,” said June Diane Raphael (“The Morning Show”), who introduced the honor. “Without Lucy we don’t have Carol Burnett, Tina Fey or Kristen Wiig. Lucy’s performances were all so vanity free. What could be more beautiful.”
Bringing production back to Los Angeles was a theme among the artisans throughout the evening.
As “Palm Royale” costume designer Alix Friedberg praised her team, she added, “This show was built with the hands of the most incredibly talented costume teams, textile artists, and builders based in the great city of L.A.”
She was one of the many winners of the night to give a shout out to Los Angeles. Similarly, “The Pitt” casting director Cathy Sandrich Gelfond spoke backstage and about working in the city. She said, “We’re so happy to give all these actors jobs and bring work back to L.A.”
“Fallout” costume designer Dayna Pink, who won the outstanding fantasy/sci-fi costumes category, also praised the Prime Video show which shot season 2 in the city. Speaking backstage, Pink said it was great to shoot in Los Angeles because of all the resources in the city. “The rental houses are here. We have great crews here, and supporting this city in particular, spreads out. It isn’t just the costumes, but the more people that are here, the more businesses we can help along, because this business has had a tough time.”
She added, “I’m really proud to be part of something that’s shooting in California and how important it is for Jonathan Nolan to make that happen.”
“The Pitt” star and executive producer Noah Wyle opened up Night 2 with a brief monologue about the resilience of the entertainment biz. “This is a very special industry, and I am so blessed to be a part of it,” he said. “Awards and accolades are great, but they are just a small part of show business. The truth is much less glamorous. There’s a reason it’s called the industry. It’s work. It’s not all about the glam. It’s also about getting grip tape stuck on your fingers. It’s winding up with dirty hands, tired legs, clocking endless hours for weeks on end, and then signing on to do it again the very first chance you get.
“We are artisans and craftspeople,” he added. “We put care and heart into everything we do, whether it’s on camera or behind the camera. Whether you’re a director, a stage manager, a grip, a set designer, recognizing you for all your creativity, your ingenuity, and your effort is crucial. It is wonderful that many of you will receive Emmys here tonight, and I hope that you all get to continue to work on exciting projects, continue to hone your crafts and fulfill your calling, and that you appreciate how special that is.”
RELATED: Bad Bunny ‘Super Bowl Halftime Show,’ ‘Muppets’ and ‘Traitors’ Win Night 1 Creative Arts Emmy Awards
The Sunday ceremony included 53 categories mostly focused in the scripted arena (Night 1 was centered on unscripted categories). Among the key races were the guest star categories in both comedy and drama, as well as animated program, cinematography, character voice-over, stunt performance, costumes and makeup.
But perhaps the most anticipated categories of the night came with a bit of controversy: In order to free up time during NBC’s Emmys ceremony on Sept. 14, five categories originally expected to be passed out during the telecast were instead moved to tonight. That included writing for a variety series, supporting actor and actress in a limited/anthology series or movie, directing for a limited series/anthology or movie and writing for a limited series/anthology or movie.
With so many major awards switching to what has traditionally been known as the “Creative Arts Emmys,” the TV Academy also dropped the “Creative Arts” distinction for the Sept. 5 and Sept. 6 ceremonies — and now refers to all three events (including the Sept. 14 telecast) as simply the “Emmys.”
As for Saturday’s Night 1, “The Apple Music Super Bowl LX Halftime Show Starring Bad Bunny” led the pack with seven Emmys, including a win for the singer himself. It won for outstanding choreography for variety or reality programming (Charm La’Donna, Karina Ortiz), outstanding production design for a variety special Bruce Rodgers), outstanding music direction (Miguel Gandelman) and outstanding variety special (live). That was followed by Peacock’s “The Traitors,” which won six.
The first two nights of the Emmys will be edited into a single special, set to air Sept. 12 at 8 p.m. on FXX, and streaming the next day on Hulu. The 78th Primetime Emmys telecast takes place on Sept. 14 at 8 p.m. ET/5 p.m. PT, from the Peacock Theatre, live on NBC (and streaming on Peacock).
Over the course of the first two nights of the Emmys, here are the tally leaders so far (with one night to go):
“Widow’s Bay” — 8″The Apple Music Super Bowl LX Halftime Show Starring Bad Bunny” — 7 “DTF St. Louis” — 6 “The Traitors” — 6 “The Late Show With Stephen Colbert” — 5 “Spider-Noir” — 5 “The Muppet Show” — 4 “The Pitt” — 4 “Pluribus” — 4 “Beef” — 3 “Love On The Spectrum” — 3 “Margo’s Got Money Troubles” — 3 “Palm Royale” — 3 “Bridgerton” — 2 “Fallout” — 2 “Genndy Tartakovsky’s Primal” — 2 “My Mom Jayne: A Film By Mariska Hargitay” — 2 “Ocean With David Attenborough” — 2
And here are the network/platform tallies after two nights:
Apple TV – 20HBO Max – 16Netflix – 13Amazon Prime Video (including MGM+) – 10NBC – 8Disney+ – 6Peacock – 6CBS – 5FX/Hulu – 3Nat Geo – 3ABC – 2Adult Swim – 2Comedy Central – 2YouTube – 2MTV – 1Discovery – 1Hulu – 1PBS – 1VR Chat – 1
Here are the nominees and winners for the categories honored during this year’s Emmys Night 2 (winners are in bold):
Outstanding Animated Program“Bob’s Burgers” — “Grand Pre Pre Pre Opening” (Fox) — Loren Bouchard, Executive Producer/Written by; Nora Smith, Executive Producer/Written by; Holly Schlesinger, Executive Producer; Janelle Momary-Neely, Executive Producer; Dan Fybel, Executive Producer; Rich Rinaldi, Executive Producer; Jon Schroeder, Executive Producer; Scott Jacobson, Executive Producer; Steven Davis, Executive Producer; Lindsey Stoddart, Co-Executive Producer; Katie Crown, Co-Executive Producer; Bernard Derriman, Producer; Brett Coker, Animation Executive Producer; Dana Tafoya-Cameron, Animation Executive Producer; Chris Song, Directed by; Tony Gennaro, Supervising Director; Simon Chong, Supervising Director; Ryan Shaw, Assistant Director; Steven Theis, Assistant Director; Patrick Gleeson, Timing Supervisor “Rick And Morty” — “There’s Something About Morty” (Adult Swim) — Dan Harmon, Executive Producer; Justin Roiland, Executive Producer; Scott Marder, Executive Producer; Heather Anne Campbell, Executive Producer; Steve Levy, Executive Producer; Albro Lundy, Executive Producer/Written by; Monica Mitchell, Executive Producer; Nick Rutherford, Executive Producer; Rob Schrab, Executive Producer; James Siciliano, Executive Producer; Kelly Crews, Executive Producer; Cameron Tang, Executive Producer; Jess Lacher, Co-Executive Producer; Anthony Alfonso, Producer; Suzanne Belk, Producer; Garrick Bernard, Producer; Lee Harting, Producer; Jonathan Brock, Producer; Deirdre Brenner, Produced by; Douglas Einar Olsen, Directed by; Jacob Hair, Supervising Director “The Simpsons” — “Homer? A Cracker Bro?” (Fox) — James L. Brooks, Executive Producer; Matt Groening, Executive Producer; Matt Selman, Executive Producer; John Frink, Executive Producer; Tim Long, Co-Executive Producer; Rob LaZebnik, Co-Executive Producer; Brian Kelley, Co-Executive Producer; J. Stewart Burns, Co-Executive Producer; Michael Price, Co-Executive Producer; Jeff Westbrook, Co-Executive Producer; Cesar Mazariegos, Co-Executive Producer; Jessica Conrad, Co-Executive Producer; Loni Steele Sosthand, Co-Executive Producer; Broti Gupta, Co-Executive Producer; Richard K. Chung, Producer; Tom Klein, Animation Producer; Ryan Koh, Written by; Chris Clements, Directed by; Mike B. Anderson, Supervising Director; Matthew Faughnan, Assistant Director; Scott Brutz, Lead Animation Timer “Smiling Friends” — “Le Voyage Incroyable De Monsieur Grenouille” (Adult Swim) — Zach Hadel, Executive Producer/Written by/Directed by; Michael Cusack, Executive Producer/Written by/Directed by; Kelly Crews, Executive Producer; Cameron Tang, Executive Producer; Brent Tanner, Supervising Producer; Scott Malchus, Producer; David Hootselle, Directed by WINNER: “South Park” — “Sermon On The ‘Mount” (Comedy Central) — Trey Parker, Executive Producer; Matt Stone, Executive Producer; Anne Garefino, Executive Producer; Frank C. Agnone II, Executive Producer; Daryl Sancton, Supervising Producer; Eric Stough, Producer; Bruce Howell, Producer; Adrien Beard, Producer; Vernon Chatman, Producer; Jenny Shin, Producer; Wonnie Ro, Producer; Greg Postma, Producer; Keo Thongkham, Producer; Lydia Quidilla, Producer; John Hansen, Producer; David List, Producer; Mark Munley, Producer; Nate Pellettieri, Producer; Andrew B. Rhoades, Producer; Gary Martinez, Producer “Star Wars: Visions” — “Black” (Disney+) — Shinya Ohira, Directed by/Animation Director/Written by; James Waugh, Executive Producer; Josh Rimes, Executive Producer; Jacqui Lopez, Executive Producer; Shuichiro Tanaka, Executive Producer; Justin Leach, Co-Executive Producer; Flannery Huntley, Producer; Kanako Shirasaki, Producer; Tsutomu Fujio, Producer; Jacob Ayres, Producer
Outstanding Casting for a Comedy Series
“Abbott Elementary” (ABC) — Wendy O’Brien, Casting by; Chris Gehrt, Casting by “Hacks” (HBO Max) — Linda Lowy, CSA, Casting by; Morgan Smith, CSA, Casting by; Lily Trotter, CSA, Associate Casting Director “Only Murders In The Building” (Hulu) — Bernard Telsey, CSA, Casting by; Tiffany Little Canfield, CSA, Casting by; Destiny Lilly, CSA, Casting by “Shrinking” (Apple TV) — Brett Benner, CSA, Casting by; Debby Romano, CSA, Casting by; Daniel Schwab, Associate Casting Director WINNER: “Widow’s Bay” (Apple TV) — Allison Jones, Casting by; Emily Buntyn, Casting by; Lisa Lobel, CSA, Location Casting; Angela Peri, CSA, Location Casting
Outstanding Casting for a Drama Series
“The Diplomat” (Netflix) — Julie Schubert, Casting by; Lucinda Syson, CSA, CDG, Casting by (UK); Natasha Vincent, CSA, CDG, Casting by (UK); Lain Kunin, Associate Casting Director; Ellinor Isherwood, Associate Casting Director “Paradise” (Hulu) — Tiffany Little Canfield, CSA, Casting by; Josh Einsohn, CSA, Casting by; Brian Sutow, Associate Casting Director WINNER: “The Pitt” (HBO Max) — Cathy Sandrich Gelfond, CSA, Casting by; Erica Berger, Casting by; Seth Caskey, CSA, Associate Casting Director “Pluribus” (Apple TV) — Sharon Bialy, CSA, Casting by; Sherry Thomas, CSA, Casting by; Russell Scott, CSA, Casting by; Marie A.K. McMaster, CSA, Location Casting “Slow Horses” (Apple TV) — Nina Gold, Casting by; Melissa Gethin Clarke, Casting by
Outstanding Casting for a Limited or Anthology Series or Movie
“All Her Fault” (Peacock) — David Rubin, Casting by; Matt Lander, Casting by; Djinous Rowling, Associate Casting Director; Jane Norris, Location Casting “The Beast In Me” (Netflix) — Julie Tucker, CSA, Casting by; Kim Krakauer, Casting by “Beef” (Netflix) — Jeanie Bacharach, CSA, Casting by “DTF St. Louis” (HBO Max) — Francine Maisler, CSA, Casting by; Amber Wakefield, CSA, Casting by; Molly Rose, CSA, Associate Casting Director; Chase Paris, CSA, Location Casting; Tara Feldstein Bennett, CSA, Location Casting WINNER: “Love Story: John F. Kennedy Jr. & Carolyn Bessette” (FX/Hulu) — Courtney Bright, CSA, Casting by; Nicole Daniels, CSA, Casting by; Jennifer Brooks, CSA, Associate Casting Director
Outstanding Character Voice-Over Performance
Pamela Adlon — “King Of The Hill” (Hulu) — “Any Given Hill-day” — as Bobby Hill WINNER: Julie Andrews — “Bridgerton” (Netflix) — “The Waltz” — as Lady Whistledown Hank Azaria — “The Simpsons” (Fox) — “Keep Chalm And Gary On” — as Gary Chalmers Trey Parker — “South Park” (Comedy Central) — “Sermon On The ‘Mount” — as Satan Matt Vogel — “The Muppet Show” (Disney+) — as Kermit the Frog Steven Yeun — “Invincible” (Prime Video) — “Don’t Leave Me Hanging Here” — as Mark Grayson/Invincible
Outstanding Choreography for Scripted Programming
“Bridgerton” — “Pink / Full Circle / Recital / Masquerade / Stag” (Netflix) — Sean “Jack” Murphy, Choreographer “Noah’s Arc: The Movie” — “Love Is A Contact Sport / Next Caller” (Paramount+ with Showtime) — Christian John-Devi Vincent, Choreographer WINNER: “Palm Royale” — “Comin’ Home Baby / I Want To Be A Cowboy’s Sweetheart / I Had A Ball” (Apple TV) — Brooke Lipton, Choreographer “Stumble” — “Media Day Routine / Bring It On Routine / Truck Routine / Elite Cheer Routine / Car Wash Routine / SDSJC Daytona Routine / Buttons Daytona Routine” (NBC) — Dahlston Delgado, Choreographer “Wednesday” — “The Dead Dance” (Netflix) — Corey Baker, Choreographer “Will Trent” — “NuevaYol” (ABC) — Lance Guillermo, Choreographer; Danielle Sten, Choreographer
Outstanding Cinematography for a Limited or Anthology Series or Movie
“Beef” — “It Will Stay This Way And You Will Obey” (Netflix) — James Laxton, ASC, Director of Photography “Black Rabbit” — “Isle Of Joy” (Netflix) — Peter Konczal, ASC, Director of Photography “Death By Lightning” — “Destiny Of The Republic” (Netflix) — Adriano Goldman, ASC, BSC, ABC, Director of Photography WINNER: “DTF St. Louis” — “Cornhole” (HBO Max) — James Whitaker, ASC, Director of Photography “Monster: The Ed Gein Story” — “Buxom Bird” (Netflix) — Michael Bauman, Director of Photography
Outstanding Cinematography for a Series (Half-Hour)
“The Bear” — “Scallop” (FX/Hulu) — Andrew Wehde, Director of Photography “Hacks” — “The Garden” (HBO Max) — Adam Bricker, ASC, Director of Photography “A Knight Of The Seven Kingdoms” — “In The Name Of The Mother” (HBO Max) — Gustav Danielsson, FSF, Director of Photography “The Upshaws” — “Indy Streets” (Netflix) — Chuck Ozeas, Director of Photography WINNER: “Widow’s Bay” — “Our History” (Apple TV) — Christian Sprenger, ASC, Director of Photography
Outstanding Cinematography for a Series (One Hour)
“Alien: Earth” — “Neverland” (FX/Hulu) — Dana Gonzales, ASC, Director of Photography “Euphoria” — “In God We Trust” (HBO Max) — Marcell Rév, ASC, HCA, Director of Photography “Margo’s Got Money Troubles” — “Flamingos” (Apple TV) — Tari Segal, ASC, Director of Photography “Pluribus” — “We Is Us” (Apple TV) — Marshall Adams, ASC, Director of Photography WINNER: “Spider-Noir” — “Step Into My Office” (MGM+/Prime Video) — Darran Tiernan, ISC, Director of Photography “Task” — “Crossings” (HBO Max) — Alex Disenhof, ASC, Director of Photography
Outstanding Contemporary Costumes for a Series
“Emily In Paris” — “Veni, Vidi, Venezia” (Netflix) — Marylin Fitoussi, Costume Designer; Chloé Bartonio, Costume Supervisor; Herehau Ragonneau, Assistant Costume Designer; Daniela Telle, Associate Costume Designer “Hacks” — “No New Tricks” (HBO Max) — Kathleen Felix-Hager, Costume Designer; Keely Crum, Costume Supervisor; Colleen Washington, Assistant Costume Designer; Shannon Felix, Key Costumer; Rory Cunningham, Head of Workroom WINNER: “Margo’s Got Money Troubles” — “Grudge Match” (Apple TV) — Mirren Gordon-Crozier, Costume Designer; Tracy Jarvis, Assistant Costume Designer; Brooke Thatawat, Costume Supervisor; Mallory Bradley, Key Costumer; Tara White, Head of Workroom “Only Murders In The Building” — “After You” (Hulu) — Dana Covarrubias, Costume Designer; Amy Bert, Wardrobe Supervisor; Abigail Geoghegan, Assistant Costume Designer; Liana John, Assistant Costume Designer “Wednesday” — “Woe Me The Money” (Netflix) — Colleen Atwood, Costume Designer; Mark Sutherland, Costume Designer; Tom Hornsby, Costume Supervisor; Robin Soutar, Assistant Costume Designer; Connor Dalton, Assistant Costume Designer; Charlotte Child, Assistant Costume Designer
Outstanding Contemporary Costumes for a Limited or Anthology Series or Movie
“The Beast In Me” — “Elephant In The Room” (Netflix) — Arjun Bhasin, Costume Designer; Emmanuelle Martin, Assistant Costume Designer; Alyssa Avellino-Faivre, Costume Supervisor WINNER: “Beef” — “All The Things We’re Never Going To Have” (Netflix) — Olga Mill, Costume Designer; Bailey Gardner, Assistant Costume Designer; Sarah Basta, Costume Supervisor; Kellie Ishisaki, Key Costumer “Black Rabbit” — “The Black Rabbits” (Netflix) — Amy Westcott, Costume Designer; Jessica Trejos, Assistant Costume Designer; Min Ji Kim, Assistant Costume Designer; Amy Burt, Costume Supervisor “DTF St. Louis” — “Cornhole” (HBO Max) — Molly Maginnis, Costume Designer; Nadia Durham, Assistant Costume Designer; Brenda Maben, Wardrobe Supervisor “Remarkably Bright Creatures” (Netflix) — Carla Hetland, Costume Designer; Laura Zydervelt, Costume Supervisor; Margaret Schliessler, Assistant Costume Designer
Outstanding Contemporary Hairstyling
“All’s Fair” — “Oh, Jesus!” (Hulu) — Valerie Jackson, Department Head Hairstylist; Linda Flowers, Personal Hairstylist; Sharif Poston, Personal Hairstylist; Dimitris Giannetos, Personal Hairstylist; Michelle Ceglia, Personal Hairstylist “Emily In Paris” — “Veni, Vidi, Venezia” (Netflix) — Carole Nicolas, Department Head Hairstylist; Mike Desir, Personal Hairstylist; Julien Parizet, Personal Hairstylist; Jay Durimel, Hairstylist; Miharu Oshima, Key Hairstylist “Euphoria” — “The Ballad Of Paladin” (HBO Max) — Kimberly Kimble, Department Head Hairstylist; Kendra Garvey, Assistant Department Head Hairstylist; Kase Glenn, Barber; Marquita Lynch, Hairstylist; Stacy Schneiderman, Hairstylist “Hacks” — “No New Tricks” (HBO Max) — Jennifer Bell, Personal Hairstylist WINNER: “Margo’s Got Money Troubles” — “Buddies” (Apple TV) — Jaime Leigh McIntosh, Department Head Hairstylist; Ahou Mofid, Co-Department Head Hairstylist; Celeste Gonzalez, Hairstylist; Kim Santantonio, Personal Hairstylist; R’riyana Kilne, Additional Hairstylist “Wednesday” — “Woe Me The Money” (Netflix) — Francesco Pegoretti, Hair Designer; Sevlene Roddy, Key Hairstylist; Marica Falso, Hairstylist; Peter Burke, Hairstylist; Nirvana Jalalvand, Personal Hairstylist
Outstanding Contemporary Makeup (Non-Prosthetic)
“All’s Fair” — “Oh, Jesus!” (Hulu) — Kate Biscoe, Department Head Makeup Artist; Tierra Richards, Assistant Department Head Makeup Artist; Victor Del Castillo, Key Makeup Artist; Chloe Sens, Personal Makeup Artist; Naima Jamal, Personal Makeup Artist; Diana Shin, Personal Makeup Artist “Euphoria” — “Kitty Likes To Dance” (HBO Max) — Doniella Davy, Department Head Makeup Artist; Tara Lang Shah, Assistant Department Head Makeup Artist; Mara Rouse, 3rd Makeup; Leah Rial Sappington, Personal Makeup Artist “Hacks” — “Hacks (Finale)” (HBO Max) — Brittany White, Department Head Makeup Artist; Keith Sayer, Personal Makeup Artist; Erin Blinn, Key Makeup Artist; Veronica Rodarte, Makeup Artist WINNER: “Margo’s Got Money Troubles” — “Grudge Match” (Apple TV) — Erin Ayanian Monroe, Department Head Makeup Artist; Michele Teleis, Assistant Department Head Makeup Artist; Bonni Flowers, Key Makeup Artist; Valli O’Reilly, Personal Makeup Artist; Angela Levin, Personal Makeup Artist “The Pitt” — “1:00 P.M.” (HBO Max) — Merry Lee Traum, Key Makeup Artist; Marie Flore “Ri” Beaubien, Makeup Artist; Leesa Simone, Makeup Artist “Wednesday” — “Woe Me The Money” (Netflix) — Lynn Johnston, Makeup Designer; Elaine Hopkins, Key Makeup Artist; Helen Bailey, Makeup Artist; Dorothy Campbell, Makeup Artist
Outstanding Directing for a Limited or Anthology Series or Movie
“Beef” — “It Will Stay This Way And You Will Obey” (Netflix) — Jake Schreier, Directed by “Beef” — “Oh, The Comfort, The Inexpressible Comfort” (Netflix) — Lee Sung Jin, Directed by “Black Rabbit” — “The Black Rabbits” (Netflix) — Jason Bateman, Directed by WINNER: “DTF St. Louis” (HBO Max) — Steven Conrad, Directed by
Outstanding Fantasy/Sci-Fi Costumes
“Alien: Earth” — “Neverland” (FX/Hulu) — Suttirat Larlarb, Costume Designer; Pashelle Latino, Wardrobe Supervisor; Srirattana “Bew” Wattanavitkul, Wardrobe Supervisor; Ampa “Tiew” Bunruaeng, Head of Workroom “The Boys” — “The Frenchman, The Female, And The Man Called Mother’s Milk” (Prime Video) — Michael Ground, Costume Designer; Laura Jean Shannon, Specialty Costume Designer; Kim Harkness, Co-Costume Designer; Emily McHugh, Assistant Costume Designer; Sarah Mgeni, Associate Supersuits Costume Designer; Michelle Margolis Hallam, Supersuits Costume Supervisor WINNER: “Fallout” — “The Strip” (Prime Video) — Dayna Pink, Costume Designer; Conan Castro Jr., Costume Supervisor; Annie Jewell, Assistant Costume Designer; Imogene Chayes, Costume Illustrator; Christopher Lawrence, Key Background Costumer “A Knight Of The Seven Kingdoms” — “Seven” (HBO Max) — Lorna Ó Ríordáin, Costume Designer; Libby Dempster, Assistant Costume Designer; Kyle Callanan, Assistant Costume Designer; Rachael Webb-Crozier, Costume Supervisor; Stephen O Rawe, Costume Supervisor
Outstanding Guest Actor in a Comedy Series
Michael J. Fox — “Shrinking” (Apple TV) — “The Field” — as Gerry Brett Goldstein — “Shrinking” (Apple TV) — “Happiness Mission” — as Louis Hamish Linklater — “Widow’s Bay” (Apple TV) — “Seasickness” — as Richard Warren Christopher McDonald — “Hacks” (HBO Max) — “No New Tricks” — as Marty Ghilain WINNER: Rob Reiner — “The Bear” (FX/Hulu) — “Tonnato” — as Albert Connor Storrie — “Saturday Night Live” (NBC) — “Host: Connor Storrie” — as Host
Outstanding Guest Actor in a Drama Series
Colman Domingo — “Euphoria” (HBO Max) — “In God We Trust” — as Ali WINNER: Ernest Harden Jr. — “The Pitt” (HBO Max) — “7:00 A.M.” — as Louie Cloverfield Jeff Hiller — “Pluribus” (Apple TV) — “Please, Carol” — as Larry Jeff Kober — “The Pitt” (HBO Max) — “8:00 P.M.” — as Duke Ekins Jonathan Pryce — “Slow Horses” (Apple TV) — “Scars” — as David Cartwright Bradley Whitford — “The Diplomat” (Netflix) — “Amagansett” — as First Gentleman Todd Penn
Outstanding Guest Actress in a Comedy Series
Leslie Bibb — “Hacks” (HBO Max) — “Montecito” — as Monica Jamie Lee Curtis — “The Bear” (FX/Hulu) — “Tonnato” — as Donna Berzatto WINNER: Betty Gilpin — “Widow’s Bay” (Apple TV) — “Our History” — as Sarah Westcott Warren Cherry Jones — “Hacks” (HBO Max) — “Montecito” — as Kelly Laurie Metcalf — “Hacks” (HBO Max) — “The Garden” — as Weed Kaitlin Olson — “Hacks” (HBO Max) — “D’Amazing Race” — as DJ Vance Lauren Weedman — “Hacks” (HBO Max) — “The Cube” — as Mayor Jo Pezzimenti
Outstanding Guest Actress in a Drama Series
Brittany Allen — “The Pitt” (HBO Max) — “3:00 P.M.” — as Roxie Hamler Tal Anderson — “The Pitt” (HBO Max) — “5:00 P.M.” — as Becca King Tina Ivlev — “The Pitt” (HBO Max) — “1:00 P.M.” — as Ilana Miller Miriam Shor — “Pluribus” (Apple TV) — “We Is Us” — as Helen Merritt Wever — “The Gilded Age” (HBO Max) — “Marriage Is A Gamble” — as Monica O’Brien WINNER: Shailene Woodley — “Paradise” (Hulu) — “Graceland” — as Annie
Outstanding Movie
“Heads Of State” (Prime Video) — Marcus Viscidi, Executive Producer; Josh Appelbaum, Executive Producer; André Nemec, Executive Producer; John Cena, Executive Producer; Idris Elba, Executive Producer; Peter Safran, Produced by; John Rickard, Produced by “Miss You, Love You” (HBO Max) — Mike Bowes, Executive Producer; Gigi Pritzker, Produced by; Rachel Shane, Produced by; Kevin J Walsh, Produced by; Nat Faxon, Produced by “People We Meet On Vacation” (Netflix) — Laura Quicksilver, Executive Producer; Ted Gidlow, Executive Producer; Emily Henry, Executive Producer; Wyck Godfrey, Produced by; Marty Bowen, Produced by; Isaac Klausner, Produced by WINNER: “Remarkably Bright Creatures” (Netflix) — Alyssa Rodrigues, Executive Producer; Erika Hampson, Executive Producer; Olivia Newman, Executive Producer; Shelby Van Pelt, Executive Producer; Tony Lipp, Executive Producer; Alisa Tager, Executive Producer; Bryan Unkeless, Produced by; Peter Craig, Produced by; David Levine, Produced by “Tom Clancy’s Jack Ryan: Ghost War” (Prime Video) — Alexa Ginsburg, Executive Producer; Carlton Cuse, Executive Producer; John J. Kelly, Executive Producer; Tom Clancy, Executive Producer; John Krasinski, Produced by; Allyson Seeger, Produced by; Andrew Form, Produced by
Outstanding Music Composition for a Limited or Anthology Series, Movie or Special (Original Dramatic Score)
“All Her Fault” — “Episode 7” (Peacock) — Jeff Beal, Composer WINNER: “The Beast In Me” — “The Beast And Me” (Netflix) — Sean Callery, Composer; Sara Barone, Composer “Black Rabbit” — “Isle Of Joy” (Netflix) — Danny Bensi, Composer; Saunder Jurriaans, Composer “In The Blink Of An Eye” (Hulu) — Thomas Newman, Composer “Washington Black” — “If You See My Mama, Whisper Her This…” (Hulu) — Cameron Moody, Composer
Outstanding Music Composition for a Series (Original Dramatic Score)
“A Knight Of The Seven Kingdoms” — “In The Name Of The Mother” (HBO Max) — Dan Romer, Composer “Palm Royale” — “Maxine Drinks Martinis Now” (Apple TV) — Jeff Toyne, Composer “Pluribus” — “We Is Us” (Apple TV) — Dave Porter, Composer “Slow Horses” — “Missiles” (Apple TV) — Daniel Pemberton, Composer; Toydrum, Composer “Spider-Noir” — “Step Into My Office” (MGM+/Prime Video) — Kris Bowers, Composer; Michael Dean Parsons, Composer WINNER: “Widow’s Bay” — “Our History” (Apple TV) — David Fleming, Composer
Outstanding Music Supervision
“The Boys” — “Blood And Bone” (Prime Video) — Michelle Johnson, Music Supervisor; Yvette Metoyer, Music Supervisor “Hacks” — “Hacks (Finale)” (HBO Max) — Matt Biffa, Music Supervisor “Nobody Wants This” — “When Noah Met Joanne” (Netflix) — Manish Raval, Music Supervisor; Tom Wolfe, Music Supervisor; Jonathan Leahy, Music Supervisor “Pluribus” — “We Is Us” (Apple TV) — Thomas Golubić, Music Supervisor “Stranger Things” — “Chapter Eight: The Rightside Up” (Netflix) — Nora Felder, Music Supervisor WINNER: “Widow’s Bay” — “Beach Reads” (Apple TV) — Toko Nagata, Music Supervisor
Outstanding Original Main Title Theme Music
“All Her Fault” (Peacock) — Jeff Beal, Composer “The Beast In Me” (Netflix) — Sean Callery, Composer “The ‘Burbs” (Peacock) — Michael Abels, Composer “Murderbot” (Apple TV) — Amanda Jones, Composer WINNER: “Pluribus” (Apple TV) — Dave Porter, Composer
Outstanding Original Music and Lyrics
“The Boys” — “The Frenchman, The Female, And The Man Called Mother’s Milk / Song Title: Raise Him Up” (Prime Video) — Christopher Lennertz, Music & Lyrics; Daveed Diggs, Lyrics “Hacks” — “EGOT / Song Title: Mis Figuritas” (HBO Max) — Carlos Rafael Rivera, Music & Lyrics; David Stal, Music & Lyrics WINNER: “The Pitt” — “12:00 P.M. / Song Title: Need Someone” (HBO Max) — Gavin Brivik, Music; Andrew Bird, Music & Lyrics “South Park” — “The Crap Out / Song Title: Christian Woman” (Comedy Central) — Trey Parker, Music & Lyrics “Spider-Noir” — “A Mistake I’ll Never Make Again / Song Title: The Devil You Know” (MGM+/Prime Video) — Warren Oak Felder, Music & Lyrics; Sebastian Kole, Music & Lyrics; Daniel Pemberton, Music & Lyrics “Wednesday” — “Woe Me The Money / Song Title: The Dead Dance” (Netflix) — Lady Gaga, Music & Lyrics; Andrew Watt, Music & Lyrics; Henry Russell Walter, Music & Lyrics
Outstanding Period or Fantasy/Sci-Fi Hairstyling
WINNER: “Bridgerton” — “The Waltz” (Netflix) — Nic Collins, Department Head Hairstylist; Giorgio Galliero, Assistant Department Head Hairstylist; Jade Clarke, Background Supervisor; Valentina Nesti, Hairstylist; Katharine Scott, Hairstylist; Laura Hartney, Hairstylist “Fallout” — “The Strip” (Prime Video) — Dennis Bailey, Department Head Hairstylist; April Schuller, Assistant Department Head Hairstylist; Katy McClintock, Assistant Department Head Hairstylist; George Wilson, Hairstylist; Raquel Bianchini, Additional Hairstylist; Roma Goddard, Additional Hairstylist “The Gilded Age” — “My Mind Is Made Up” (HBO Max) — Sean Flanigan, Department Head Hairstylist; Christine Fennell Harlan, Co-Department Head Hairstylist; Jonathan David Zane-Sharpless, Key Hairstylist; Tim Harvey, Key Hairstylist; Aaron M. Kinchen, Key Hairstylist; Anika Seitu, Hairstylist “A Knight Of The Seven Kingdoms” — “The Morrow” (HBO Max) — Pippa Woods, Department Head Hairstylist; Lucille Harding, Hair Supervisor; Tamara Mae Richards-Bloomfield, Assistant Department Head Hairstylist; Anna Knight, Hairstylist; Cat Coogan, Hairstylist; Lauren Appleby, Hairstylist “Palm Royale” — “Maxine Drinks Martinis Now” (Apple TV) — Karen Bartek, Department Head Hairstylist; Brittany Madrigal, Assistant Department Head Hairstylist; Tiffany Bloom, Key Hairstylist; Anna Quinn, Key Hairstylist; Jill Crosby, Personal Hairstylist; Frida Aradottir, Personal Hairstylist
Outstanding Period or Fantasy/Sci-Fi Makeup (Non-Prosthetic)
“Fallout” — “The Strip” (Prime Video) — Elisa Marsh, Department Head Makeup Artist; John Damiani, Assistant Department Head Makeup Artist; Jennifer Aspinall, Makeup Artist; Cynthia Hernandez, Additional Makeup Artist; Kenneth Calhoun, Additional Makeup Artist; Lisa Rocco, Additional Makeup Artist; Sabine Roller Taylor, Additional Makeup Artist; Josh Foster, Additional Makeup Artist “The Gilded Age” — “My Mind Is Made Up” (HBO Max) — Nicki Ledermann, Department Head Makeup Artist; Anette Lian-Williams, Key Makeup Artist; Jane DiPersio, Key Makeup Artist; Emily Maitland Marroquin, Key Makeup Artist; Mareike Mohmand, Key Makeup Artist “Love Story: John F. Kennedy Jr. & Carolyn Bessette” — “The Pools Party” (FX/Hulu) — Milagros Medina-Cerdeira, Department Head Makeup Artist; Blair Aycock, Key Makeup Artist; D’angelo Thompson, Makeup Artist; Jill Karol, Additional Makeup Artist “Monster: The Ed Gein Story” — “The Babysitter” (Netflix) — Heather Koontz, Assistant Department Head Makeup Artist WINNER: “Palm Royale” — “Maxine Drinks Martinis Now” (Apple TV) — Tricia Sawyer, Department Head Makeup Artist; Marissa Lafayette, Assistant Department Head Makeup Artist; Marie DelPrete, Key Makeup Artist; Rory Gaudio, Makeup Artist; Alyssa Goldberg, Makeup Artist; Marja Webster, Personal Makeup Artist; Simone Almekias-Siegl, Personal Makeup Artist
Outstanding Period Costumes
“Bridgerton” — “Dance In The Country” (Netflix) — John Walter Glaser III, Costume Designer; Dougie Hawkes, Associate Costume Designer; George Sayer, Assistant Costume Designer; Anthony Brookman, Assistant Costume Designer; Amanda McLaughlan, Costume Supervisor; Pascha Hanaway, Costume Supervisor “The Gilded Age” — “Marriage Is A Gamble” (HBO Max) — Kasia Walicka Maimone, Costume Designer; Denise Andres, Costume Supervisor; Rebecca Levin, Costume Supervisor; Isabelle Simone, Associate Costume Designer; Rebecca Freund, Associate Costume Designer; Sue Bakula, Head of Workroom “Love Story: John F. Kennedy Jr. & Carolyn Bessette” — “The Wedding” (FX/Hulu) — Rudy Mance, Costume Designer; Natalie Turturro Mettouchi, Assistant Costume Designer; Brittany Griffin, Assistant Costume Designer; Moria Clinton, Assistant Costume Designer; Liz Samuels, Costume Supervisor “Monster: The Ed Gein Story” — “Mother!” (Netflix) — Joshua J. Marsh, Costume Designer; Serrita Coleman, Assistant Costume Designer; Sharon Sampson, Costume Supervisor; Latrese Wright, Costume Supervisor; Erin Fabian, Key Costumer WINNER: “Palm Royale” — “Maxine Is Ready To Single Mingle” (Apple TV) — Alix Friedberg, Costume Designer; Leigh Bell, Co-Costume Designer; Samantha Schwartz, Assistant Costume Designer; Carolyn Dessert, Costume Supervisor; Jennifer Wolf, Key Background Costumer; Valerie Keiser, Head of Workroom
Outstanding Picture Editing for a Drama Series
“Euphoria” — “In God We Trust” (HBO Max) — Aaron I. Butler, ACE, Editor; Nikola Boyanov, Editor; Aleshka Ferrero, Editor; Julio C. Perez IV, ACE, Editor; Kristin Valentine, Additional Editor “The Pitt” — “1:00 P.M.” (HBO Max) — Tamara Luciano, Editor “The Pitt” — “9:00 P.M.” (HBO Max) — Mark Strand, ACE, Editor “Pluribus” — “Got Milk” (Apple TV) — Joey Liew, Editor “Pluribus” — “Grenade” (Apple TV) — Chris McCaleb, ACE, Editor WINNER: “Pluribus” — “We Is Us” (Apple TV) — Skip Macdonald, ACE, Editor “Task” — “A Still Small Voice” (HBO Max) — Keiko Deguchi, ACE, Editor; Amy E. Duddleston, ACE, Editor
Outstanding Picture Editing for a Multi-Camera Comedy Series
WINNER: “Leanne” — “Having Big Feelings” (Netflix) — Russell Griffin, ACE, Editor “The Neighborhood” — “Welcome To The Zhuzh” (CBS) — Chris Poulos, ACE, Editor; Tim DeLone, Editor “Shifting Gears” — “Nutcracker” (ABC) — Pamela Marshall, Editor “Tyler Perry’s Assisted Living” — “A Rolling Stone” (BET) — Jennifer Viola, Editor “The Upshaws” — “Election Day” (Netflix) — Angel Gamboa Bryant, ACE, Editor
Outstanding Picture Editing for a Single-Camera Comedy Series
“The Bear” — “Bears” (FX/Hulu) — Joanna Naugle, ACE, Editor “Hacks” — “The Cube” (HBO Max) — Peggy Tachdjian, ACE, Editor WINNER: “Hacks” — “Hacks (Finale)” (HBO Max) — Jon Philpot, Editor “Widow’s Bay” — “Our History” (Apple TV) — Isaac Hagy, ACE, Editor “Widow’s Bay” — “Welcome To Widow’s Bay!” (Apple TV) — Kyle Reiter, ACE, Editor “Widow’s Bay” — “What To Expect On Your Trip” (Apple TV) — Jen Bryson, Editor
Outstanding Picture Editing for a Limited or Anthology Series or Movie
“Beef” — “All The Things We’re Never Going To Have” (Netflix) — Laura Zempel, ACE, Editor “Beef” — “The Increasing Flimsiness Of Any Certainties About The Future” (Netflix) — Lauren Connelly, ACE, Editor “Black Rabbit” — “Isle Of Joy” (Netflix) — Vikash Patel, Editor “Death By Lightning” — “The Man From Ohio” (Netflix) — Joseph Krings, ACE, Editor; Anna Hauger, ACE, Editor; Michael Ruscio, ACE, Editor; Joe Leonard, ACE, Editor; Bridget Case, Additional Editor; Derek Desmond, Additional Editor WINNER: “DTF St. Louis” — “No One’s Normal. It Just Looks That Way From Across The Street” (HBO Max) — Kevin D. Ross, ACE, Editor; Max Koepke, Editor
Outstanding Production Design for a Narrative Contemporary Program (One Hour or More)
“Euphoria” — “This Little Piggy” (HBO Max) — François Audouy, Production Designer; A. Todd Holland, Supervising Art Director; Anthony Carlino, Set Decorator “The Pitt” — “9:00 P.M.” (HBO Max) — Nina Ruscio, Production Designer; Josh Lusby, Art Director; Matt Callahan, Set Decorator WINNER: “Pluribus” — “Grenade” (Apple TV) — Denise Pizzini, Production Designer; Dins Danielsen, Supervising Art Director; Ashley Michelle Marsh, Set Decorator “Slow Horses” — “Incommunicado” (Apple TV) — Choi Ho Man, Production Designer; Oskars Vilnitis-Pantelejevs, Supervising Art Director; Kamlan Man, Set Decorator “Wednesday” — “If These Woes Could Talk” (Netflix) — Mark Scruton, Production Designer; Shane McEnroe, Supervising Art Director; David Morison, Set Decorator
Outstanding Production Design for a Narrative Period or Fantasy Program (One Hour or More)
WINNER: “Fallout” — “The Wrangler” (Prime Video) — Howard Cummings, Production Designer; David Lazan, Supervising Art Director; Julie Ochipinti, Set Decorator “The Gilded Age” — “If You Want To Cook An Omelette” (HBO Max) — Bob Shaw, Production Designer; Larry W. Brown, Supervising Art Director; Jennifer Alex Nickason, Set Decorator “Palm Royale” — “Maxine Does Something Good” (Apple TV) — Jon Carlos, Production Designer; Rachel Aguirre, Art Director; Amelia Brooke, Art Director; Mark Robert Taylor, Art Director; Ellen Reede, Set Decorator “Spider-Noir” — “Step Into My Office” (MGM+/Prime Video) — Warren Alan Young, Production Designer; Mark Larkin, Supervising Art Director; Halina Siwolop, Set Decorator “Stranger Things” — “Chapter Four: Sorcerer” (Netflix) — Chris Trujillo, Production Designer; Sean Brennan, Supervising Art Director; Jess Royal, Set Decorator
Outstanding Production Design for a Narrative Program (Half-Hour)
“Hacks” — “Who’s Making Dinner?” (HBO Max) — Rob Tokarz, Production Designer; Jeanine Ringer, Art Director; Jennifer Lukehart, Set Decorator “A Knight Of The Seven Kingdoms” — “Seven” (HBO Max) — Tom McCullagh, Production Designer; John Merry, Supervising Art Director; Stephanie Rea, Set Decorator “Leanne” — “Please Be A Lizard” (Netflix) — Francoise Cherry-Cohen, Production Designer; Gail Russell, Assistant Art Director; Ann Shea, Set Decorator “Only Murders In The Building” — “The House Always…” (Hulu) — Patrick Howe, Production Designer; Casey Smith, Art Director; Mila Khalevich, Set Decorator WINNER: “Widow’s Bay” — “Lodging” (Apple TV) — Steve Arnold, Production Designer; Peter Borck, Supervising Art Director; Jennifer Engel, Set Decorator
Outstanding Prosthetic Makeup
“Fallout” — “The Demon In The Snow” (Prime Video) — Jake Garber, Special Makeup Effects Department Head; Greg Funk, Special Makeup Effects Department Head; Gregory Nicotero, Prosthetic Designer; Carey Jones, Prosthetic Designer; Vincent Van Dyke, Prosthetic Designer; Gabriel De Cunto, Prosthetic Makeup Artist; Kevin Wasner, Prosthetic Makeup Artist; Scott Stoddard, Prosthetic Makeup Artist “Monster: The Ed Gein Story” — “The Godfather” (Netflix) — Leo Corey Castellano, Department Head Makeup Artist; Mark Nieman, Makeup Artist; Joseph Badiali, Special Makeup Effects Artist WINNER: “The Pitt” — “9:00 P.M.” (HBO Max) — Myriam Arougheti, Department Head Makeup Artist; Arjen Tuiten, Prosthetic Designer; Thom Floutz, Special Makeup Effects Artist; Chris Burgoyne, Special Makeup Effects Artist; Martina Sykes, Special Makeup Effects Artist; Hanny Tjan, Special Makeup Effects Artist “Spider-Noir” — “Betrayal” (MGM+/Prime Video) — Vincent Van Dyke, Prosthetic Designer; Ken Niederbaumer, Key Prosthetic Makeup Artist; Gabriel De Cunto, Special Makeup Effects Artist; Stephen Prouty, Special Makeup Effects Artist; Dave Snyder, Special Makeup Effects Artist; Chris Gallaher, Special Makeup Effects Artist; Jamie Kelman, Special Makeup Effects Artist; Gary J. Tunnicliffe, Special Makeup Effects Artist “Stranger Things” — “Chapter Four: Sorcerer” (Netflix) — Barrie Gower, Special Makeup Effects Department Head; Duncan Jarman, Special Makeup Effects Assistant Department Head; Michael Mekash, Special Makeup Effects Assistant Department Head; Emma Faulkes, Key Prosthetic Makeup Artist
Outstanding Sound Editing for a Comedy or Drama Series (Half-Hour) and Animation
“A Knight Of The Seven Kingdoms” — “In The Name Of The Mother” (HBO Max) — Alastair Sirkett, MPSE, Supervising Sound Editor; Martin Cantwell, Sound Designer; Michele Woods, MPSE, Dialogue Editor; Adéle Fletcher, ADR Editor; Ruth Knight, Sound Effects Editor; Neil Stemp, Music Editor; Barnaby Smyth, Foley Artist; Rebecca Glover, Foley Artist “Murderbot” — “All Systems Red” (Apple TV) — Tyler Whitham, MPSE, Co-Supervising Sound Editor; Danielle McBride, MPSE, Co-Supervising Sound Editor; Ève Corrêa-Guedes, Dialogue Editor; Craig MacLellan, Sound Effects Editor; Marcelle Simpson, Music Editor; Nicholas Fitzgerald, Music Editor; John Elliot, Foley Artist “Predator: Killer Of Killers” (Hulu) — Chris Terhune, MPSE, Co-Supervising Sound Editor; William Files, MPSE, Co-Supervising Sound Editor; James Miller, Sound Designer; Justin M. Davey, MPSE, Sound Designer; Lee Gilmore, MPSE, Sound Designer; Jessie Anne Spence, MPSE, Supervising Dialogue/ADR Editor; Daniel DiPrima, Music Editor; Stephen Perone, Music Editor; Adam DeCoster, Foley Artist; Noel Vought, Foley Artist “Star Wars: Maul – Shadow Lord” — “Chapter 10: The Dark Lord” (Disney+) — David W. Collins, Supervising Sound Editor; Kevin Bolen, Sound Effects Editor; Bill Rudolph, Sound Effects Editor; Michael Brinkman, Sound Effects Editor; Frank Rinella, Foley Editor; Kimberly Patrick, Foley Editor; Eli Denson, Music Editor WINNER: “Widow’s Bay” — “What To Expect On Your Trip” (Apple TV) — Matt Yocum, MPSE, Co-Supervising Sound Editor; Sang Kim, Co-Supervising Sound Editor; Goeun Everett, Sound Effects Editor; Ryan Sullivan, Sound Effects Editor; Nate Underkuffler, Music Editor; Leslie Bloome, Foley Artist; Shaun Brennan, Foley Artist
Outstanding Sound Editing for a Comedy or Drama Series (One Hour)
“Alien: Earth” — “Neverland” (FX/Hulu) — Lee Gilmore, MPSE, Co-Supervising Sound Editor; Bradley North, MPSE, Co-Supervising Sound Editor; Chris Terhune, MPSE, Sound Designer; Nolan McNaughton, MPSE, Sound Designer; Justin M. Davey, MPSE, Sound Designer; Byron Wilson, MPSE, Dialogue Editor; Tim Walston, MPSE, Sound Effects Editor; Matt “Smokey” Cloud, MPSE, Sound Editor; Beso Kacharava, MPSE, Supervising Foley Editor; Ben Schor, MPSE, Music Editor; Biko Gogaladze, Foley Artist “The Boys” — “Blood And Bone” (Prime Video) — Wade Barnett, MPSE, Supervising Sound Editor; Ryan Briley, Dialogue Editor; Russell Topal, MPSE, Sound Effects Editor/Sound Designer; Luis Galdames, MPSE, Sound Effects Editor; Lisle Engle, Foley Editor; Christopher Brooks, Music Editor; Joe Sabella, Foley Artist; Jesi Ruppel, Foley Artist “Fallout” — “The Strip” (Prime Video) — Sue Gamsaragan Cahill, Co-Supervising Sound Editor; Daniel Colman, MPSE, Co-Supervising Sound Editor; Joseph Fraioli, MPSE, Sound Designer; Jane Boegel-Koch, Dialogue Editor; Sara Bencivenga, ADR Editor; James Parnell, MPSE, Sound Effects Editor; Randall Guth, Foley Editor; Christopher Kaller, Music Editor; Pamela Kahn, MPSE, Foley Artist; Dominique Decaudain, Foley Artist; Alex Ullrich, MPSE, Foley Artist WINNER: “Spider-Noir” — “The Man In The Mask” (MGM+/Prime Video) — Ethan Beigel, MPSE, Co-Supervising Sound Editor; Andy Sisul, Co-Supervising Sound Editor/Sound Designer; Will Digby, MPSE, Sound Designer; Ryan Collins, Sound Designer; Arielle McGrail, Dialogue Editor; Caitlin Lutenske, Sound Effects Editor; DeVaughn Watts, MPSE, Music Editor; Sanaa Kelley, MPSE, Foley Artist; Matt Salib, Foley Artist “Stranger Things” — “Chapter Eight: The Rightside Up” (Netflix) — Craig Henighan, Co-Supervising Sound Editor; William Files, MPSE, Co-Supervising Sound Editor; Dave Grimaldi, Sound Designer; Lee Gilmore, MPSE, Sound Designer; Ryan Cole, Supervising Dialogue/ADR Editor; Polly McKinnon, Dialogue Editor; Emma Present, Dialogue Editor; Angelo Palazzo, Sound Effects Editor; Katie Halliday, Sound Effects Editor; Christopher Bonis, Sound Effects Editor; Nick Interlandi, Sound Effects Editor; Matt “Smokey” Cloud, MPSE, Sound Editor; Gina Wark, Foley Editor; Lena Glikson, Music Editor; David Klotz, Music Editor; Steve Baine, Foley Artist
Outstanding Sound Editing for a Limited or Anthology Series, Movie or Special
“The Beast In Me” — “Sick Puppy” (Netflix) — Ruy Garcia, Supervising Sound Editor; Marcello Dubaz, Dialogue Editor; Marissa Littlefield, ADR Editor; Isaac Derfel, Sound Effects Editor; Otis Streeter, Sound Editor; Jo Caron, Foley Editor; James Sizemore, Music Editor; Guy Francoeur, Foley Artist WINNER: “Beef” — “It Will Stay This Way And You Will Obey” (Netflix) — Christopher Gomez, MPSE, Supervising Sound Editor; Danika Wikke, Dialogue Editor; Jerry Lafuente, Sound Effects Editor; Yurii Kerelius, Foley Editor; Luke Dennis, Music Editor; Danylo Gomlez, Foley Artist “Lord Of The Flies” — “Piggy” (Netflix) — Niv Adiri, Supervising Sound Editor; Tom Sayers, Sound Designer; Linda Forsén, Supervising Dialogue/ADR Editor; Phil Freudenfeld, Dialogue Editor; Kirsty Graham, Foley Editor; Paolo Pavesi, Foley Editor; Zoe Freed, Foley Artist; Rebecca Heathcote, Foley Artist “The Rip” (Netflix) — Daniel Pagan, MPSE, Co-Supervising Sound Editor; Craig Mann, Co-Supervising Sound Editor; Chase Keehn, Supervising Dialogue/ADR Editor; Jon Title, Sound Effects Editor; Russell Topal, MPSE, Sound Effects Editor; Randy Wilson, Supervising Foley Editor; Justin Helle, Foley Editor; Sam Zeines, Music Editor; Stefan Fraticelli, Foley Artist “Tom Clancy’s Jack Ryan: Ghost War” (Prime Video) — Lewis Goldstein, MPSE, Supervising Sound Editor; Alfred DeGrand, Dialogue/ADR Editor; Tyler Newhouse, Dialogue Editor; Rebeca Lindenfeld, ADR Editor; Bennett Kerr, Sound Effects Editor; Marcello Dubaz, Sound Effects Editor; Patrick Cicero, Sound Effects Editor; Henry Butler, Sound Effects Editor
Outstanding Sound Mixing for a Comedy or Drama Series (Half-Hour) and Animation
“The Bear” — “Scallop” (FX/Hulu) — Steve “Major” Giammaria, CAS, Re-Recording Mixer; Scott D. Smith, CAS, Production Mixer; Patrick Christensen, CAS, ADR Mixer; Ryan Collison, CAS, Foley Mixer; Connor Nagy, CAS, Foley Mixer “Hacks” — “The Garden” (HBO Max) — John W. Cook II, CAS, Re-Recording Mixer; James Parnell, CAS, Re-Recording Mixer; Jim Lakin, Production Mixer; Fernanda Domene, ADR Mixer; David Stal, Scoring Mixer; Jacob McNaughton, Foley Mixer “Shrinking” — “I Will Be Grape” (Apple TV) — Earl Martin, Re-Recording Mixer; Anna D. Wilborn, CAS, Production Mixer; Jamison Rabbe, ADR Mixer; Tami Treadwell, ADR Mixer; Jeffrey Roy, ADR Mixer; Alex Jongbloed, CAS, Foley Mixer “Tires” — “The Tri-State Mid Market Tire Expo” (Netflix) — Brian Bracken, Re-Recording Mixer; Jackson Derbish, Production Mixer WINNER: “Widow’s Bay” — “What To Expect On Your Trip” (Apple TV) — Tim Hoogenakker, CAS, Re-Recording Mixer; Larry Benjamin, CAS, Re-Recording Mixer; Kevin Parker, Production Mixer; Scott Michael Smith, Scoring Mixer; Judah Getz, CAS, ADR Mixer; Leslie Bloome, Foley Mixer
Outstanding Sound Mixing for a Comedy or Drama Series (One Hour)
“Fallout” — “The Strip” (Prime Video) — Keith Rogers, CAS, Re-Recording Mixer; Steve Bucino, CAS, Re-Recording Mixer; Ed Novick, Production Mixer; Mike Marino, Foley Mixer “The Pitt” — “8:00 P.M.” (HBO Max) — Todd M. Grace, CAS, Re-Recording Mixer; Edward C. Carr III, CAS, Re-Recording Mixer; Von Varga, Production Mixer; Tami Treadwell, ADR Mixer; Alex Jongbloed, CAS, Foley Mixer WINNER: “Pluribus” — “We Is Us” (Apple TV) — Larry Benjamin, CAS, Re-Recording Mixer; Tim Hoogenakker, CAS, Re-Recording Mixer; Phillip W. Palmer, CAS, Production Mixer; Dave Porter, Scoring Mixer; Ron Mellegers, Foley Mixer; Judah Getz, CAS, ADR Mixer “Spider-Noir” — “Step Into My Office” (MGM+/Prime Video) — Nick Offord, Re-Recording Mixer; Ryan Collins, Re-Recording Mixer; Matthew Sanchez, CAS, Production Mixer; Jordan McClain, Foley Mixer; Scott Michael Smith, Scoring Mixer; Aaron Hasson, ADR Mixer “Stranger Things” — “Chapter Eight: The Rightside Up” (Netflix) — Mark Paterson, Re-Recording Mixer; William Files, CAS, Re-Recording Mixer; Steve Neal, Re-Recording Mixer; Michael P. Clark, CAS, Production Mixer; Hector Carlos Ramirez, Scoring Mixer; Peter Persaud, Foley Mixer
Outstanding Sound Mixing for a Limited or Anthology Series or Movie
WINNER: “Beef” — “It Will Stay This Way And You Will Obey” (Netflix) — Penny Harold, CAS, Re-Recording Mixer; Andy Lange, CAS, Re-Recording Mixer; Devendra Cleary, CAS, Production Mixer; Sean O’Malley, CAS, Production Mixer; Jongkun Park, Production Mixer; Judah Getz, CAS, ADR Mixer; Illia Popel, Foley Mixer “Black Rabbit” — “Isle Of Joy” (Netflix) — Larry Benjamin, CAS, Re-Recording Mixer; Tim Hoogenakker, CAS, Re-Recording Mixer; James Weidner, Production Mixer; Phil McGowan, CAS, Scoring Mixer; Paul Drenning, ADR Mixer; Ron Mellegers, Foley Mixer “DTF St. Louis” — “Amphezyne” (HBO Max) — John W. Cook II, CAS, Re-Recording Mixer; James Parnell, CAS, Re-Recording Mixer; Akira Fukasawa, Production Mixer; Fernanda Domene, ADR Mixer; James Howe, Foley Mixer; Alex Wurman, Scoring Mixer “Lord Of The Flies” — “Piggy” (Netflix) — Niv Adiri, Re-Recording Mixer; Ande Schurr, Production Mixer; Glen Gathard, Foley Mixer; Tristan Rose, ADR Mixer; Mark Appleby, ADR Mixer; James Bishop, ADR Mixer “Monster: The Ed Gein Story” — “Sick As Your Secrets” (Netflix) — Jamie Hardt, CAS, Re-Recording Mixer; Christina “Chuyue” Wen, Re-Recording Mixer; Jose Garcia, Production Mixer; Mario M. Coletta, Production Mixer; Jamison Rabbe, ADR Mixer; Jacob McNaughton, Foley Mixer
Outstanding Special Visual Effects in a Season or a Movie
“Alien: Earth” (FX/Hulu) — Jonathan Rothbart, Production VFX Supervisor; James Ledwell, Production VFX Producer; Mitchell Callisch, Production VFX Production Manager; Woei Lee, Production Associate VFX Supervisor; David Fletcher, SFX Supervisor; Jeffrey A. Okun, On-Set VFX Supervisor; Chris Ritvo, VFX Supervisor (Untold Studios); Viktor Müller, VFX Supervisor (UPP); Aladino Debert, VFX Supervisor (Zoic Studios); Will Towle, VFX Supervisor (FIN VFX); Ryan Freer, VFX Supervisor (Pixomondo); Maksim Došlo, VFX Supervisor (Crafty Apes) “Foundation” (Apple TV) — Chris MacLean, Overall Visual Effects Supervisor; Jack Geist, Overall Visual Effects Producer; Gabriel Sanchez, Post Visual Effects Supervisor; Stephan Schaefholz, VFX Supervisor; Arnaud Brisebois, VFX Supervisor; Carlos Monzon, VFX Supervisor; Mathieu Assemat, VFX Supervisor; Stephen Elphick, VFX Supervisor; Jindřich Červenka, VFX Supervisor; Damien Hurgon, VFX Supervisor; Ed Bruce, VFX Supervisor; Jan Rejnuš, Special Effects Supervisor “It: Welcome To Derry” (HBO Max) — Daryl Sawchuk, Overall VFX Supervisor; Steve Dellerson, Overall VFX Producer; Pier Lefebvre, VFX Supervisor; Jordan Schilling, VFX Supervisor; Steven Tether, VFX Set Supervisor; Darcy Callaghan, SPX Supervisor; Zena Bielewicz, VFX Supervisor; Eric Withee, VFX Assoc Producer; Maria Sartzetaki, VFX Production Mgr; Sebastien Chartier, VFX Supervisor; Ben King, VFX Supervisor; Lara Ramirez, VFX Editor “Monarch: Legacy of Monsters” (Apple TV) — Sean Konrad, VFX Supervisor; Elizabeth Willaman, VFX Producer; Bryn Morrow, On-Set VFX Supervisor; Marc Varisco, On-Set VFX Supervisor; Bryan Hirota, VFX Supervisor; Pier Lefebvre, VFX Supervisor; Cody Baker, Colourist; Julian Summers, SFX Supervisor; Kelly Redmond, SFX Coordinator; Jeremy Burns, Additional VFX Supervisor; Lara Bannister, VFX Production Manager; Jourdan Biziou, Visualization Supervisor “Prehistoric Planet: Ice Age” (Apple TV) — Russell Dodgson, VFX Supervisor; Andrew R. Jones, Animation Director; Rupert Smith, VFX Producer; Tracey Gibbons, VFX Producer; Benjamin Loch, VFX Supervisor; Francois Dumoulin, VFX Supervisor; Romain Rico, VFX Supervisor; Gavin McKenzie, VFX Supervisor; Brian Fisher, Technical Reference Puppeteer; Alvise Avati, Animation Supervisor; Adrien Annesley, Animation Supervisor; Liam Russell, Animation Supervisor WINNER: “Stranger Things” (Netflix) — Betsy Paterson, Visual Effects Supervisor; Michael Maher Jr., VFX Art Director; Sean Ames, Additional VFX Supervisor; Craig Seitz, Additional VFX Supervisor; Tessa Roehl, VFX Co-Producer; Chloe Lipp, Associate VFX Producer; Brad Tobler, Senior VFX Editor; Martin Hill, Senior VFX Supervisor, WĒTĀ FX Limited; Richard Thwaites, VFX Producer, WĒTĀ FX Limited; Bill Georgiou, VFX Supervisor, ILM; Jessica Smith, VFX Consultant; Mark Hawker, Special Effects Supervisor
Outstanding Special Visual Effects in a Single Episode
“Gen V” — “New Year, New U” (Prime Video) — Karen Heston, Visual Effects Supervisor; Sean Tompkins, Visual Effects Producer; Clara Hill, Visual Effects Production Manager; Dane Collier, Visual Effects Editor; Andrew Simmonds, Visual Effects Supervisor (DNEG); Oliver Eikhoff, Visual Effects Producer (DNEG); Matthew Novak, CG Supervisor (EYELINE); Bhanu Prakash, Sequence FX Lead (DNEG); Hudson Kenny, SPFX Supervisor “A Knight Of The Seven Kingdoms” — “In The Name Of The Mother” (HBO Max) — Arron Roebuck, Overall VFX Supervisor; Paul Russo, Overall VFX Producer; Luke Dhand, VFX Editor; Angel Rico Riesgo, VFX Supervisor at El Ranchito; Sonsoles L. Aranguren, Additional VFX Supervisor at El Ranchito; Rocío Ruiz de Azúa, VFX Producer at El Ranchito; Mike Dawson, SFX Supervisor; Tom Lloyd, SFX Floor Supervisor; Paul Tuersley, VFX Artist “Paradise” — “Exodus” (Hulu) — John Weckworth, VFX Supervisor; John Stewart, VFX Supervisor; Chapel Folger, VFX Producer; John Brennick, Compositing Supervisor; Evan Underwood, CG/FX Supervisor; Christian Day, Lead Lighter; Chris Messineo, FX Lead; Scott Gastellu, Compositing Lead; Linda Tremblay, Compositing Lead; Meliza Fermin, DMP Supervisor; Kristofer Cross, Associate Producer; Blair Foord, Special FX Coordinator WINNER: “Spider-Noir” — “Nightmare On A Gurney” (MGM+/Prime Video) — Hnedel Maximore, VFX Supervisor; Brooke Noska, VFX Producer; Adam Rothstein, Additional VFX Supervisor; Timothy Hanson, VFX On-Set Supervisor; Jorge Macias, Lead VFX Artist; Taylor Faulkinberry, Senior VFX Coordinator; Joseph C Bond IV, VFX Editor; Suzie Askham, VFX Supervisor (Cinesite); Tommy Tran, VFX Supervisor (Barnstorm); Cameron Neilson, VFX Supervisor (ILM); Adam Balentine, VFX Supervisor (Eyeline VFX); Sebastiano D’Aprile, VFX Supervisor (CoSA VFX) “The Walking Dead: Daryl Dixon” — “Costa Da Morte” (AMC) — Jao M’Changama, Overall VFX Supervisor; Justine Paynat-Sautivet, Senior VFX Producer; Sébastien Voisin, VFX Producer; Tim Binmoeller, VFX Editor; Vanya Karamehmedović, VFX Coordinator; Xavier Allard, VFX Supervisor (BUF); Cem Olcer, Lead Artist (BUF); Mathieu Malard, VFX Supervisor (Mathematic); Pau Costa, SFX Supervisor; Brett Tierney, SFX Floor Supervisor; Keith Pullman, Supervising In-House Artist
Outstanding Stunt Coordination for Comedy Programming
“Beef” (Netflix) — Shauna Duggins, Stunt Coordinator; Chris O’Hara, Stunt Coordinator “Palm Royale” (Apple TV) — Mallory Thompson, Stunt Coordinator “Peacemaker” (HBO Max) — Hank Amos, Supervising Stunt Coordinator; Dave Macomber, Stunt Coordinator “Poker Face” (Peacock) — Tom Place, Stunt Coordinator WINNER: “Spider-Noir” (MGM+/Prime Video) — Freddy Bouciegues, Supervising Stunt Coordinator; Hugh Aodh O’Brien, Stunt Coordinator “Tulsa King” (Paramount+) — Freddie Poole, Stunt Coordinator
Outstanding Stunt Coordination for Drama Programming
WINNER: “The Boys” (Prime Video) — John Koyama, Supervising Stunt Coordinator “Fallout” (Prime Video) — Casey O’Neill, Stunt Coordinator; Josh Kemble, Stunt Coordinator “FBI” (CBS) — Victor Paguia, Stunt Coordinator “The Rookie” (ABC) — David Rowden Sr., Stunt Coordinator “Stranger Things” (Netflix) — Hiro Koda, Supervising Stunt Coordinator; Jahnel Curfman, Stunt Coordinator
Outstanding Stunt Performance
“Fallout” — “The Profligate” (Prime Video) — Jeremy Fitzgerald, Stunt Performer; Tim Soergel, Stunt Performer “FBI” — “Crusader” (CBS) — Adam Shippey, Stunt Performer; Hannah Scott, Stunt Performer; Bryce Biederman, Stunt Performer; Chris Barnes, Stunt Performer WINNER: “A Knight Of The Seven Kingdoms” — “In The Name Of The Mother” (HBO Max) — Zach Roberts, Stunt Performer; Gyula Tóth, Stunt Performer; Chris Cox, Stunt Performer; Jake Cox, Stunt Performer “Palm Royale” — “Maxine Finds Herself” (Apple TV) — Sonja Wajih, Stunt Performer; Colby Lemmo, Stunt Performer “Spider-Noir” — “Tread Lightly” (MGM+/Prime Video) — Solomon Brende, Stunt Performer; Jimmy Chhiu, Stunt Performer; Micaiah Chau, Stunt Performer; Kyle Potter, Stunt Performer
Outstanding Supporting Actor in a Limited or Anthology Series or Movie
Jason Bateman — “DTF St. Louis” (HBO Max) — as Clark Forrest Richard Gadd — “Half Man” (HBO Max) — as Ruben WINNER: David Harbour — “DTF St. Louis” (HBO Max) — as Floyd Smernitch Richard Jenkins — “DTF St. Louis” (HBO Max) — as Detective Homer Charles Melton — “Beef” (Netflix) — as Austin Nick Offerman — “Death By Lightning” (Netflix) — as Chester Arthur
Outstanding Supporting Actress in a Limited or Anthology Series or Movie
WINNER: Linda Cardellini — “DTF St. Louis” (HBO Max) — as Carol Love-Smernitch Dakota Fanning — “All Her Fault” (Peacock) — as Jenny Kaminski Laurie Metcalf — “Monster: The Ed Gein Story” (Netflix) — as Augusta Gein Joy Sunday — “DTF St. Louis” (HBO Max) — as Detective Jodie Plumb Youn Yuh-jung — “Beef” (Netflix) — as Chairwoman Park Constance Zimmer — “Love Story: John F. Kennedy Jr. & Carolyn Bessette” — (FX/Hulu) — as Ann Marie Messina
Outstanding Title Design
“It: Welcome To Derry” — (HBO Max) — Aaron Becker, Creative Director; Seth Kleinberg, Art Director; Troy Miller, Editor; Joseph Ahn, Designer; Michael Lo, Designer; Hsien Lun Su, Designer; Li-Yu Chen, Designer; Lee Nelson, Animator “Murderbot” (Apple TV) — Hazel Baird, Creative Director; Rob Cawdery, Creative Director; Phil Davies, Designer/Animator; Ben Jones, Animator; Ethem Cem, Designer; Joe Paniagua, 3D Artist; Lance Slaton, Illustrator; Xiaolin Zeng, Designer “PONIES” (Peacock) — Ronnie Koff, Creative Director; Kathy Liang, Designer; Fernando Lazzari, Animator/Designer; Charles Khoury, Animator/Designer; Christoph Gabathuler, Animator/Designer; Jeffrey Su, Animator/Designer; Min Shi, 3D Artist; Lexi Gunvaldson, Editor “Smoke” (Apple TV) — Mason Nicoll, Director; Peter Pak, Art Director; Rachel Brickel, Art Director / Cinematographer; Ana Criado, Designer; Simon Chan, Animator; Justin West, Editor WINNER: “Spider-Noir” (MGM+/Prime Video) — Mason Nicoll, Director; Andrew Julien, Art Director / Editor; Arik Weiss, Designer; Peter Pak, Art Director; John Van Unen, 3D Artist; Daniel Duda, Animator; Christian Arnsparger, Animator; Rachel Brickel, Cinematographer “Young Sherlock” (Prime Video) — Ronnie Koff, Creative Director; Elizabeth Steinberg, Designer; Min Shi, 3D Artist; Scott Bell, Lead Animator; Henry Chang, Animator; Christoph Gabathuler, Animator; Charlie Proctor, Animator; Lexi Gunvaldson, Editor
Outstanding Writing for a Limited or Anthology Series or Movie
“All Her Fault” — “Episode 8” (Peacock) — Megan Gallagher, Written by “The Beast In Me” — “Sick Puppy” (Netflix) — Gabe Rotter, Teleplay by & Story by; Daniel Pearle, Teleplay by “Beef” — “All The Things We’re Never Going To Have” (Netflix) — Lee Sung Jin, Written by “Death By Lightning” (Netflix) — Mike Makowsky, Written by WINNER: “DTF St. Louis” (HBO Max) — Steven Conrad, Written by
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